This wasn’t the post I was planning on writing today, but I spent three hours watching the Golden Globes, and these are some of my thoughts on the awards. Moana, one of the best films I saw this year didn’t win Best Animated Feature or Best Original Song, losing to Zootopia and La La Land respectively, two films which I enjoyed. In fairness to Moana, every other film lost to La La Land as well. Of all the things that happened at the Golden Globes, one of the weirdest awards ceremonies in the world, the Best Original Song win annoyed me the most.
The 2016 Emmy nominations were announced at 1:30am local time yesterday, and I decided that I’d sleep through it. I’m perfectly happy with that decision. I don’t really have much to say about the Emmy nominations that haven’t already been said, but as usual there are some things that are great, and some not so great. You can find the full list of nominations here (okay, it’s not the full list, it excludes the Creative Arts categories, which I’ll peruse later).
Australia’s Logie Awards are a strange beast. Sponsored by TV Week magazine, the Australian television industry’s awards combine People’s Choice awards in the “Best” categories, and industry voted awards in the “Most Outstanding” categories. The first awards, which were then known as the TV Week awards were held in 1959, after the magazine attached voting coupons to its editions in late 1958. Australians can nominate their favourite shows and television personalities by snail mail, as well as via text message and online. The eligibility of a show is fairly simple: it must be produced in Australia and have a predominantly Australian cast. It’s fairly straightforward, at least until you get into categories.
Jenny Beavan is better than all of us. This article in The Hollywood Reporter states that Inarritu did clap, but his reaction was delayed. This whole issue has been blown out of proportion (including by me), and I’ve learned a lot from it. About 10 days ago I wrote that I was going to be stepping back from the blog for a month or two. Personally it’s been a huge relief, but I don’t know if I would have written about this issue so passionately if I felt I had to. I didn’t write a review of Fury Road when I first saw it, but it turns out it had a greater impact on me than I’d realised. I got to look at the issue from a number of different perspectives and made up a bizarre conspiracy theory about Tom Hardy’s disdain for Beavan based on that metal thing he had to wear. Now we come to what Jenny Beavan has to say on the whole thing, which is presented in full in the THR article. The person whose opinion matters most is hers – if she’s not offended, I won’t be either (although I still have absolutely zero desire to see The Revenant).
The most charitable reading of the “Inarritu refusing to clap for Jenny Beavan” incident is that maybe he’s a snob and thinks his film was better. I’ve now decided that I won’t see The Revenant after this incident, but I was never desperate to see it because I didn’t like last year’s Best Picture winner, Birdman. It was the film I was most excited to see, and the one I was most disappointed by. By comparison, my expectations for American Sniper were so low that I quite enjoyed it. The impression I got from Birdman is that Inarritu likes to make ‘high art’ – art that’s important. I could tell because Michael Keaton kept shouting about how important he was. It was beautifully shot though, I don’t begrudge Inarritu for his directing awards, I just don’t think his films (although I’ve only seen Birdman, so it’s actually film) have much substance. Maybe he dismissed Mad Max: Fury Road as being ‘just’ an action blockbuster. Just because it’s an action blockbuster, it doesn’t mean it wasn’t one of the best films of 2015.
As I wrote in my previous post, I had a lot of feelings about people who worked on The Revenant refusing to clap for Jenny Beavan as she accepted her award, either out of jealousy or disdain that she wasn’t dressed properly, which is ridiculous because she was wearing clothes. The Guardian has a great list of conspiracy theories as to why these men didn’t clap for Beavan, and now I’m going to add my own. As I was typing everything that came into my head, I came to this realisation which I’m going to leave for you in full.
Here’s the weirdest part of the whole thing: Tom Hardy’s refusal to clap, because he worked on both films. He was Mad Max! Maybe this metal mask thing was really uncomfortable (probably), but this makes the whole thing even more bizarre. I kind of forget about Hardy because the main character in Fury Road is Imperator Furiosa.
So: a man who was in the two most nominated films at this year’s Oscars refused to clap for the costume designer who dressed him in that really uncomfortable metal harness thing. The costume designer for The Revenant was also nominated, but I have to say, as uncomfortable as you look in that photo Tom Hardy, that still is great. Your films received 22 collective nominations and 9 collective wins. Just clap for the lady, I don’t care how uncomfortable that mask was! The other piece of completely unfounded gossip that makes this entire thing even more fascinating is that Tom Hardy punched director Alejandro G. Inarritu on the set after a long day of shooting (There is also speculation that the director in question is David O. Russell). Did he actually punch George Miller?* If so, the disgust on his face as Beavan (who is George Miller’s wife in addition to being an Oscar winning costume designer) walked up to the stage would make a little more sense. Then again, maybe that mask just really hurt.
Notes: This is by far the silliest of the posts in this series, but it was.
*He didn’t punch George Miller. That story’s from about a year ago, and filming wrapped on Fury Road at the end of 2012.
A Vine has been making the rounds over the past few days, as people involved in making The Revenant refuse to clap Jenny Beavan as she receives her first Oscar for her brilliant costumes on Mad Max: Fury Road. Here’s a still of the moment in question:
I’m going to be tackling this issue from two different angles: why it doesn’t matter if a costume designer wears a leather jacket to an awards ceremony, and also why Fury Road deserved those awards. This article was inspired by this hilarious list of uncomfirmed conspiracy theories as to why they didn’t clap at The Guardian.